Essays

Bio

Gwynneth Porter

  • Society is the patient2024
  • I am ash2024
  • The Jesus and Mary Chain / Psychocandy [LP. Blanco y Negro. 1985]2024
  • Reality has an ephemeral quality2024
  • I am very fugitive2023
  • Improvised Protection2022
  • History is a ruin, figures 1–82022
  • Bury the Lede2022
  • Burning Plastic2022
  • A mobile, and therefore precarious, gathering2022
  • Strong Houses2021
  • Life teeming, buzzing2021
  • Lavender waits2021
  • It’s always a river, but it is never the same2021
  • Summon Something2020
  • How brutal, really2019
  • Sisyphus, shared2018
  • Finding Unison2018
  • Ask the moon for more time2018
  • This is difficult2017
  • Katabatic Din2017
  • Acid Mantle2017
  • Bliss_translating_time2015
  • Some kind of key, or combinations of keys2013
  • I must explode2013
  • Dilation of sense2013
  • We’re not lazy, we’re just waiting2012
  • The virtues of trees2012
  • Things are in pieces2011
  • Rental Property2011
  • The opposite of neglect2010
  • Studies2010
  • Dying is easy, comedy is hard2010
  • Pale Blue Bars and Gold Chains2009
  • What is A Well-Dressed Teenager by Scotty2008
  • The fall2008
  • Monument #19 and Monument #202008
  • I don’t must2008
  • Perishable goods2006
  • Instructions for assembly2006
  • I was standing up above a crowd of people2006
  • Where the mind goes, there it grows2005
  • Unconscious communities2005
  • The crucible of the return2005
  • Slave / Bless2005
  • International Waters2005
  • Through the eye of a needle2004
  • Miasma2004
  • Highlights2004
  • Gravity is no longer a problem2004
  • Snatching failure from the jaws of defeat2003
  • National Anaesthetics Day2003
  • Bare bones2003
  • A swim in dye2002
  • Everyday is Halloween in Tinseltown2001
  • Freudbelly2000
  • Wherever you go, there you are1999
  • We have everything and nothing1999
  • There goes the neighbourhood1998